Tuesday, February 11, 2014

SHORT FILM: BOB TROTMAN AT WORK. Produced by the Halsey Institute of Contemporary Art, College of Charleston, S.C.

As part the exhibition Business As Usual, the Halsey Institute of Contemporary Art at the College of Charleston in South Carolina produced an eight-minute film showing Bob Trotman at work and hearing him talk about the work.
The Trotman exhibition at Halsey will remain on view through March 8, 2014. For more information, Click Here.

TO SEE THE FILM, CLICK HERE.

Wednesday, October 2, 2013

CONDITIONS OF HUMANS: Hinton, Trotman & Yaghjian, Oct. 18 – Nov. 9, 2013


LESLIE HINTON – BOB TROTMAN – DAVID YAGHJIAN

October 18 – November 9, 2013

Opening Reception: Friday, October 18, 6 – 9 pm.

For a PREVIEW, Click Here.

For installation shots of the exhibition Click Here

Leslie Hinton, Soul Man, 2013, 
earthenware, underglazes and glazes, 
9 x 4 x 2.5 in., $450

Bob Trotman, Mrs. T, 2006, wood tempera, wax, 
steel, 22 x 20 x 23 in., $9,000



David Yaghjian, Yellow Tree, Red Neck, 2013,  
monotype  10 x 10 in., $500


Wednesday, August 8, 2012

Bob Trotman Joins if ART Gallery

North Carolina artist Bob Trotman has joined if ART Gallery. Trotman, who has developed a strong regional reputation with his large, wooden sculpture, will be showing terra cotta and porcelain studies of his larger work. The gallery will introduce Trotman's studies during its upcoming exhibition "Fantastic Reality" at Gallery 80808/Vista Studios in Columbia. 
Trotman, who is self-taught as an artist, was born in Winston-Salem, N.C., in 1947. He received a B.A. in philosophy from Washington and Lee University and 35 years has maintained a studio in the foothills of Western North Carolina. Among the museums that have his work is in their permanent collection are the Renwick Gallery, Smithsonian Institution, Washington, D.C.; the Virginia Museum of Fine Arts in Richmond; the North Carolina Museum of Art in Raleigh; the Weatherspoon Museum of Art at the University of North Carolina Greensboro; the Mint Museum of Art in Charlotte, N.C.; the Rhode Island School of Design in Providence and the Museum of Art and Design in New York City.

For available works by Trotman, an artist's statement and resume, scroll down.

For a short film of Trotman discussing his work and showing small studies of his big sculptures like the ones available at if ART, CLICK HERE.

To see Trotman's figures come alive, CLICK HERE.
To hear the world through the mouth of a Trotman sculpture, CLICK HERE.

For installation images CLICK HERE















Ego, 2009, terra cotta, oxide, wood, 
7,5" w x 4"h x 2" d, $600

Head, 2003, clay, paint, wood,
5.5" h x 2."w x 3" d, $450/SOLD

Hostage2009, terra cotta, papier 
mache, wood,8'h x 6"w x 4"d,
$600

Jane (study), 2005, terra cotta, wood, 
paint,, 8"h x 7"w x 3.5" d, $550

John (study), 2006, terra cotta, wood, 
paint, 9" h x 9" w x 5.5" d, $600/SOLD

John (study), 2005, porcelain, 
wood, graphite, 10"h x 6"w x 4"d,
$650

Swan Dive (study), 2000, clay, paint, wood,
8" h x 11.5" w x 5" d, $850/SOLD


















































































Bob Trotman Artist's Statement
Working mostly in wood, I see my efforts in relation to the vernacular traditions of the carved religious figures, ships' figureheads, and the so-called "show figures" found in the nineteenth century outside shops and in circuses.  But as a contemporary artist I am fascinated by a noire narrative of life at the office.  My wooden people, often surprisingly posed, evoke both humor and anxiety and, taken together, offer an absurdist vision of an imaginary corporate purgatory.






























Bob Trotman Resume
SELECTED SOLO EXHIBITIONS
2012Office: Sculpture by Bob Trotman, Morris Museum of Art, Augusta, GA
2010-2011Inverted Utopias North Carolina Museum of Art, Raleigh, NC
2008-2010Business as Usual, Staniar Gallery, Washington and Lee University, Lexington, VA (traveled to Cameron Art MuseumGreenville County Museum of ArtMint Museum of Art, and 701 Center for Contemporary Art, Columbia, SC)
2006Frist Center for Visual Art, Gordon Project Gallery, Nashville, Tennessee
2004Recent WorkHodges Taylor Gallery, Charlotte, North Carolina
2002Model CitizensVisual Arts Center of Richmond, Richmond, Virginia
2001Falk Gallery, Weatherspoon Art Museum, Greensboro, North Carolina
2001After the Fall, Franklin Parrasch Gallery, New York, New York
2000Recent WorkHodges Taylor Gallery, Charlotte, North Carolina
1998Eight Figures, Franklin Parrasch Gallery, New York, New York
1996Recent Work, Franklin Parrasch Gallery, New York, New York
1995-1996ArtCurrents 20: Bob TrotmanMint Museum of Art, Charlotte, North Carolina
1994Bob Trotman: A Retrospective of Furniture and Sculpture, Visual Arts Program, NC State University, Raleigh, North Carolina
1994New Work, Franklin Parrasch Gallery, New York, New York
1993Sculpture, Sandler Hudson Gallery, Atlanta, Georgia
1992Sculpture, Nexus Contemporary Art Center, Atlanta, Georgia

SELECTED GROUP EXHIBITIONS

2011-2012Connections: Marilyn Murphy/Bob Trotman, Huntsville Museum of Art, Huntsville, Alabama
2007The Liberated Eye: American Modernisms.Weatherspoon Art Museum. Greensboro, North Carolina
2005From the Neck Up, Franklin Parrasch Gallery New York, New York
2004Food Matters, Katonah Museum of Art, Katonah, New York
2004RevelationsMint Museum of Art, Charlotte, North Carolina
1990-1993Art That Works, (Lloyd Herman, curator) traveled U.S.
1986Poetry of the Physical, (Paul Smith, curator), traveled U.S.

EDUCATION

1965-1969B.A. Philosophy, Magna cum Laude, Phi Beta Kappa, Washington and Lee University
1988Francisco Rivera, The Sculpture Center, New York, New York
1986Robert Morris, The Atlantic Center for the Arts, New Smyrna Beach, Florida
1985James Surls, The Atlantic Center for the Arts, New Smyrna Beach, Florida
1977Sam Maloof, Penland School of Crafts, Penland, North Carolina
1976Jon Brooks, Penland School of Crafts, Penland, North Carolina

SELECTED COLLECTIONS

North Carolina Museum of Art, Raleigh, North Carolina
Virginia Museum of Fine Arts, Richmond, Virginia
Museum of Art and Design, New York, New York
Renwick Gallery, Smithsonian Institution, Washington, DC
Museum of Art, Rhode Island School of Design, Providence, Rhode Island
The Mint Museum of Art, Charlotte, North Carolina
The Mint Museum of Craft and Design, Charlotte, North Carolina
Museum of Art, Arizona State University, Tempe, Arizona
The Vice-President’s Residence, Washington, DC
Asheville Art Museum, Asheville, North Carolina
Hickory Museum of Art, Hickory, North Carolina
Wake Forest University, Winston-Salem, North Carolina
Weatherspoon Museum of Art, Greensboro, North Carolina
Sydney and Francis Lewis Collection, Richmond, Virginia
Gregg Museum of Art and Design, North Carolina State University, Raleigh,North Carolina

GRANTS AND AWARDS

2006, 2008United States Artists, Fellowship Nominee
1984, 1995, 2000, 2010North Carolina Artists Fellowship
1984, 1988National Endowment for the Arts Visual Artist Fellowship



Tuesday, July 31, 2012

Works of Art: Bob Trotman

Large Person of Interest, 2007, wood, tempera, 

wax, steel, 33 x 36 x 16, $14,000

Person of Interest, 2006, wood, tempera, wax, steel, 

25 x 25 x 14 in., $12,500

Bob Trotman, Mrs. T, 2006, wood tempera, wax, 
steel, 22 x 20 x 23 in., $9,000





Ego, 2009, terra cotta, oxide, wood, 7 1/2 x 4 x 2 in.
$600

Jane (Study), 2005, terra cotta, wood, paint,
8 x 7 x 3.5 in., $550
John (Study), 2005, porcelain, wood,
graphite,  10 x 6 x 4 in., $650
Hostage, 2009, terra cotta, papier mache,
wood, 8 x 6 x 4 in., $600

Thursday, July 12, 2012

Sold Works of Art

John (Study), 2006, terra cotta, wood, paint,
9 x 9 x 5 1/2 in., $600



Swan Dive (study), 2000, clay, paint, wood,
8 x 11.5 x 5 in., $850
Head, 2003, clay, paint, wood,
5.5 x 2 x 3 in., $450

Thursday, June 28, 2012

Bob Trotman Resume


2012Office: Sculpture by Bob Trotman, Morris Museum of Art, Augusta, GA
2010-2011Inverted Utopias North Carolina Museum of Art, Raleigh, NC
2008-2010Business as Usual, Staniar Gallery, Washington and Lee University, Lexington, VA (traveled to Cameron Art MuseumGreenville County Museum of ArtMint Museum of Art, and 701 Center for Contemporary Art, Columbia, SC)
2006Frist Center for Visual Art, Gordon Project Gallery, Nashville, Tennessee
2004Recent WorkHodges Taylor Gallery, Charlotte, North Carolina
2002Model CitizensVisual Arts Center of Richmond, Richmond, Virginia
2001Falk Gallery, Weatherspoon Art Museum, Greensboro, North Carolina
2001After the Fall, Franklin Parrasch Gallery, New York, New York
2000Recent WorkHodges Taylor Gallery, Charlotte, North Carolina
1998Eight Figures, Franklin Parrasch Gallery, New York, New York
1996Recent Work, Franklin Parrasch Gallery, New York, New York
1995-1996ArtCurrents 20: Bob TrotmanMint Museum of Art, Charlotte, North Carolina
1994Bob Trotman: A Retrospective of Furniture and Sculpture, Visual Arts Program, NC State University, Raleigh, North Carolina
1994New Work, Franklin Parrasch Gallery, New York, New York
1993Sculpture, Sandler Hudson Gallery, Atlanta, Georgia
1992Sculpture, Nexus Contemporary Art Center, Atlanta, Georgia

SELECTED GROUP EXHIBITIONS

2011-2012Connections: Marilyn Murphy/Bob Trotman, Huntsville Museum of Art, Huntsville, Alabama
2007The Liberated Eye: American Modernisms.Weatherspoon Art Museum. Greensboro, North Carolina
2005From the Neck Up, Franklin Parrasch Gallery New York, New York
2004Food Matters, Katonah Museum of Art, Katonah, New York
2004RevelationsMint Museum of Art, Charlotte, North Carolina
1990-1993Art That Works, (Lloyd Herman, curator) traveled U.S.
1986Poetry of the Physical, (Paul Smith, curator), traveled U.S.

EDUCATION

1965-1969B.A. Philosophy, Magna cum Laude, Phi Beta Kappa, Washington and Lee University
1988Francisco Rivera, The Sculpture Center, New York, New York
1986Robert Morris, The Atlantic Center for the Arts, New Smyrna Beach, Florida
1985James Surls, The Atlantic Center for the Arts, New Smyrna Beach, Florida
1977Sam Maloof, Penland School of Crafts, Penland, North Carolina
1976Jon Brooks, Penland School of Crafts, Penland, North Carolina

SELECTED COLLECTIONS

North Carolina Museum of Art, Raleigh, North Carolina
Virginia Museum of Fine Arts, Richmond, Virginia
Museum of Art and Design, New York, New York
Renwick Gallery, Smithsonian Institution, Washington, DC
Museum of Art, Rhode Island School of Design, Providence, Rhode Island
The Mint Museum of Art, Charlotte, North Carolina
The Mint Museum of Craft and Design, Charlotte, North Carolina
Museum of Art, Arizona State University, Tempe, Arizona
The Vice-President’s Residence, Washington, DC
Asheville Art Museum, Asheville, North Carolina
Hickory Museum of Art, Hickory, North Carolina
Wake Forest University, Winston-Salem, North Carolina
Weatherspoon Museum of Art, Greensboro, North Carolina
Sydney and Francis Lewis Collection, Richmond, Virginia
Gregg Museum of Art and Design, North Carolina State University, Raleigh,North Carolina

GRANTS AND AWARDS

2006, 2008United States Artists, Fellowship Nominee
1984, 1995, 2000, 2010North Carolina Artists Fellowship
1984, 1988National Endowment for the Arts Visual Artist Fellowship

Sunday, October 30, 2011

BOB TROTMAN Artist Statement


Bob Trotman: Artist Statement

As a figurative sculptor my concern is the exploration, interpretation, and representation of the human body as a primal medium for projecting thought and feeling: in the expressive language of its poses and dress, its gestures, its facial expressions, and in its disposition in relation to its surroundings. Of the many possibilities open to me, I am most interested in expressions of alienation: alienation of the self from society, from the physical environment, and even of the self from itself. Not only is this feeling resonant for me personally, but, I believe, by way of attempts to avoid it, it is responsible for much of our social behavior. For me the expression of alienation is more penetrating with a certain amount of ironic humor. Since I work primarily in wood, I see my efforts in relation to the vernacular traditions of the carved religious figures, ships' figureheads, and the so-called "show figures" found in the nineteenth century outside shops or in circus displays. I am concerned, however. with contemporary sensibility, even if I approach it through what some might consider an archaic medium. My subjects are confronted with dilemmas they can neither escape nor understand, and wood, through its organic warmth, its quirks, and flaws gives their quandaries an immediacy they might not otherwise have.